To Anne Hoppe,

for loving Donia even more than I do,

for faery wings and temp tattoos,

for putting the “good parts” at the end of the letter,

for arguing and for not arguing,

and for skipping your tea one Saturday morning

to fall for these characters

Niall walked through the ruins of the tattoo shop. Shards of painted glass crunched under his boots. The floor was strewn with vials of ink, unopened needles, electric apparatus he couldn’t identify, and other things he’d rather not identify. The Dark King had known rage before, known grief; he’d felt helpless, felt unprepared; but he’d never before had all of those emotions converge on him at once.

He paused and lifted one of the mangled bits of metal and wire from the floor. He turned it over in his hand. Only a year ago, a tattoo machine—maybe this one—had bound Irial to the mortal who had brought the former Dark King and Niall together again after a millennium. Irial was the constant, the one faery that had been a part of Niall’s life—for better and worse—for more than a thousand years.

Niall stabbed his bloodied hand with the broken tattoo machine. His own blood welled up and mingled with the drying blood on his hands. His blood. Irial’s blood is on my hands because I couldn’t stop Bananach. Niall lifted the broken machine in his hand, but before he could stab himself a second time, a Hound grabbed his wrist.

“No.” The Hound, Gabriel’s mate, Chela, took the machine. “The stretcher is here, and—”

“Is he awake?”

Mutely, Chela shook her head and led him toward the living room, where Irial lay.